Grace Wales Bonner at Hermès: When Heritage Listens

Grace Wales Bonner

Words: Khumoetsile Seamogano
Visual: Wales Bonner

The dust has settled. Now, we can speak, and be heard.

In October 2025, Grace Wales Bonner assumed the role of menswear creative director at Hermès, succeeding Véronique Nichanian, who had guided the house’s vision since 1988. Her appointment is evidence that away from the spotlight, the difficult, but necessary conversations are finding the right voices.

Why does this matter? Because history, when written in silk and leather, has rarely made space for other tongues. Grace’s arrival is a reminder that heritage need not mean stasis, and that identity can expand the language of tradition rather than replace it.

Girl Gone Authentic, is drawn to these moments where culture softly and deliberately bends toward inclusion without spectacle. It is not simply about who designs, but about what stories are permitted to be woven into form.

Welcome to the Soft Burn, a place to linger, laugh, and self-soothe. In this Volume, we imagine a room just beyond the threshold; Change leans forward and Heritage is compelled to listen.

Cast:

Heritage                               –

The voice of legacy. Proud. Increasingly uncertain.

Change                                  –

The present. Pragmatic and poised. Sees truth as elegance.

Ancestor                               –

Presence unseen but felt. Collective memory, spiritual conscience.

Critic                                       –

The observer. Half inside the system, half outside. Cynical but hopeful.

Grace Wales Bonner        –

Off-stage, mentioned, never enters.

Act I
Scene I: The Gathering

(Tall windows let in soft, golden light, tracing lines across polished wooden floors. The walls are sober, lined with leather-bound books, a few curated bolts of silk leaning carefully against a shelf. The long table is impeccably arranged: swatches, papers, and a single porcelain cup of tea. Everything breathes intention. A soft shuffle of footsteps underscores the room’s stillness).

Heritage                              :

(looking around, elegantly confused)
Let us speak plainly. The newspapers question our craft.
Small screens whisper about lawsuits, ethics, and integrity. Not so long ago, our name alone cast a spell of pride…or desire. Our exotic skins, once badges of mastery, have grown thorns of doubt.

Change                                :

(calm, slightly amused)
The world reads the fine print now. Excellence, on its own, excuses nothing.

Heritage                              :

(slowly)
Then we are behind, aren’t we?

Change                                :

(leaning back, assured)
You could say, we are catching up. Here we are. Seated. Naming what has long been true. Progress must begin somewhere.

(a heavy silence dresses the room)

Act I
Scene II: Tension in Silk

(Later that afternoon. The same room, but the light has shifted, and the tea has gone cold. A silk scarf lies unfolded on the table: half-stitched, half-dream).

Heritage                              :

(regaining poise)
The House needs a new perspective.
Seasoned, yet pulsing with the energy of the times. A global citizen. She understands history, yet moves freely across worlds. The path is clear: Grace Wales Bonner.

(A draft brushes the scarf; its edge flutters).

Ancestor                             :

(A quiet inner voice, warm and resonant, as if rising from the silk itself)
She weaves memory as we once did. Pure and intentional. Her cloth holds both the ache and the awe of beginnings. She does not erase essence; she expands its expression. And through her, the old songs find new language. There is nothing left for her to prove, only much for us to learn… and unlearn.

(The scarf stills. The room softens).

Change                             :

(a faint smile)
Indeed. Her work speaks in frequencies long forgotten by the House: diaspora, devotion, discipline.

Critic                                 :

(entering mid-thought, pen frantically scratching across a notebook)
…Hermès: Heritage at the crossroads. Tradition meets tribunal.

(quiet disbelief)
Grace Wales Bonner, the first Black woman to lead Hermès menswear a major luxury fashion house. A headline wrapped in history and irony.
Whenever the world begins to remunerate what it long neglected, they call it identity politics…

Heritage                             :

(looking out the window)
And the purists?

Critic                                    :

(without looking up)
They’ll call it audacity, even when it’s survival.

Heritage                              :

(heaves)
Legacy is heavy.

Change                                 :

(Softly, but unflinching)
So is denial.

A thin line of sunlight catches the edge of the scarf . It briefly shimmers. 

Narrator                                 :

(curtain falls)
For Hermès, the gesture is small only in appearance. In truth,  it is a recalibration of tone, and who is permitted to hold the narrative thread. For Grace Wales Bonner, it is not a conquest but a dialogue between craft and culture, restraint and reverence, the archive and the ancestral.

Somewhere, Black creatives are dancing at the news: Grace Wales Bonner, appointed creative lead of Hermès menswear. There is hope stirring in the industry. Fashion, ever the mirror, dares to imagine a fairer reflection. We are witnessing a history once demanded, now unfolding.

Elsewhere, the forums are fuming. Absurd! they cry. Unheard of! Who has ever seen tradition change its seams so willingly?

But we know: balance is never a given; it must be crafted. As culture quietly shifts, some will mourn the change. And for some, change will finally feel like home.

 

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